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carry'd away, aye...

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Been having a bit o' fun ordering stuff on Amazon, using some retirement $$$ that I had deposited into me bank account. Now that I am old and can't get around easily due to arthritis and tendonitis, I spend moft of me life in my living room armchair, reading and watching telly. I've been having a rather dismal morning trying to watch ye 2015 film version of Poltergeist , a ghost film I find singularly lacking in atmosphere. Thankfully, ye poftman just saved me by delivering to-day's haul: dvd of Shakespeare's TWELFTH NIGHT--LIVE FROM STRATFORD-UPON-AVON; two-disc special edition of the film SOUTH PACIFIC; ye book HENRY JAMES, OSCAR WILDE AND AESTHETIC CULTURE by Michele Mendelssohn; audio cd of music from ye original DARK SHADOWS tv series; ye mystery novel SWAN SONG by Edmund Crispin; special edition dvds of ye films MY FAIR LADY and THE SOUND OF MUSIC; dvd of Hammer Film's THE MUMMY (1959); the hammer horror series dvd featuring ye films BRIDES OF DRACULA
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Ye Inescapable Influence

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I have started working on a new story for a second collection of Enoch Coffin tales that I am writing with Jeffrey Thomas. Jeff and I initially agreed that, unlike our first book, this second collection would not  be Lovecraftian. So what am I doing to-night? I'm rereading "Out of the Aeons" in S. T.'s edition of Medusa's Coil and Others: The Annotated Revisions and Collaborations of H. P. Lovecraft  (Arcane Wisdom, 2012). First, I want to set ye tale in Boston, and "Out of the Aeons" has that city as its setting. Second, I wanted a sexy beginning for the story, & ye idea came to me to have two or three persons wrapping moist gauze around Enoch's naked body as part of a bizarre "art project" in which they replicate in living form the mummy of ye Cabot Museum. Such is my wonky memory that--although I have read ye tale numerous times--I cannot now remember how the story ends or the fate of the mummy. Anyway, that's as far as I'
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